Hira Butt’s work revolves around the ideologies of gender and cultural dominance and her research on ‘Pak/Brit Mess’ – a self-defined term expressing a mixture of Pakistani and British culture – that has left empowering emotional and psychological effects on her personality.
Dhee Rani (Princess Daughter) is a series of bejewelled sculptures that reflect the complexities of domestic violence and contemporary slavery as a result of cultural transition. The series is a provocation to the commodification of life partners who are selected on the basis of property, exchange and domestic function rather than personality, aspiration or other human qualities. It reflects on expectations behind the selection and its potential fallout. The football, for instance, recognises globalised male dominance within the ‘beautiful game’ and incorporates feminised, domestic Pakistani decoration. The series is a confrontation of the pressures that enforced cultural differences or fictional differences can have on those that undergo tremendous cultural transition.
Dhee Rani (Princess Daughter) is exhibited at The Row. Hira is a graduate of Birmingham City University.