Can the Return of Birmingham’s Eastside Projects Survive the Gentrification of the City’s Art Scene?
Tom Emery considers the re-opening of Eastside Projects in relation to the gentrification of Birmingham – via Frieze
Clare Woods at Mead Gallery reviewed in Frieze
Hettie Judah reviews Reality Dimmed at Mead Gallery, Warwick Arts Centre, for Frieze.
Art Education Is in Crisis: Can We Stop Culture Becoming the Preserve of the Privileged?
Cash-strapped schools in deprived areas across the UK have been particularly hard hit by the shift away from the arts. Chris Sharratt reports – via Frieze