Can the Return of Birmingham’s Eastside Projects Survive the Gentrification of the City’s Art Scene?
Tom Emery considers the re-opening of Eastside Projects in relation to the gentrification of Birmingham – via Frieze
On Milk: a Story of Regulation and Control
Tom Emery profiles artist Melanie Jackson for Frieze magazine. Jackson’s exhibition, Deeper into the Pyramid, is showing at Grand Union until 21 April.
Clare Woods at Mead Gallery reviewed in Frieze
Hettie Judah reviews Reality Dimmed at Mead Gallery, Warwick Arts Centre, for Frieze.