Is the Countryside the Future of the Art World?
From Cample Line in rural Scotland to collective Myvillages, artists are reconsidering their relationship to ‘the rural’ – Tom Jeffreys via Frieze
Clare Woods at Mead Gallery reviewed in Frieze
Hettie Judah reviews Reality Dimmed at Mead Gallery, Warwick Arts Centre, for Frieze.
What’s the Cure for the UK Art World’s Gender Gap?
A new report highlights the key role commercial galleries must play in achieving gender parity in the arts. Hettie Judah reports – via Frieze