© Shiyi Li, 2020

© Shiyi Li, 2020

Thirteen Ways of Looking

2 October – 13 December 2020. The Herbert Art Gallery & Museum, Coventry

Thirteen Ways of Looking brings together 13 artists and curators, presenting works which challenge dominant narratives, where art belongs, where it’s experienced and who is being addressed.

Works by six early career artists from the West Midlands and seven established artists and curators have been selected, highlighting diverse forms of experience, knowledge and understanding, and exploring different strategies of resistance that overlap and intersect in the physical spaces of the gallery and digitally online.

The show includes six new commissions by artists from the West Midlands alongside selected key art works made by members of the Blk Art Group, highlighting its important connections to Coventry, including the initial meeting of group members Eddie Chambers and Keith Piper in the city 40 years ago.

The development of the exhibition has also included the facilitation of professional development and mentoring for the early career artists, to support and help them realise new work in uncertain times.

Participating artists and curators: Hira Butt, Eddie Chambers, Sonya Dyer, Andreana Fatta, Hyphen-Labs, Navi Kaur, Shama Khanna, Roshini Kempadoo, Shiyi Li, Farwa Moledina, Keith Piper, Donald Rodney and Matías Serra Delmar.

Thirteen Ways of Looking has been curated by Dr Sylvia Theuri through a New Art West Midlands and International Curators Forum Curatorial Residency in partnership with and hosted by Herbert Art Gallery & Museum, in association with Coventry Biennial of Contemporary Art.

#13waysoflooking

 

Participating artists and curators:

© Hira Butt, 2020

Hira Butts work explores ideologies of gender and cultural dominance, exploring the place of Pakistani women within marital and domestic spaces. Through personal experience and conversations with a number of married Pakistani women, the artist seeks to critique both the wedding day,  and the life promised that often does not materialise.

© Farwa Moledina, 2020.

Farwa Moledina works with pattern and textile, addressing issues surrounding feminism, faith, Muslim women and women of colour. She is interested in using pattern and textiles to challenge Western narratives and create pieces celebrating Muslim women, focusing on depicting iconic moments from the 21st century.

Andreana Fatta, Μια Aτελείωτη Συνομιλία (An Endless Conversation) 2020. Video still.

Andreana Fattas research-based practice is informed by Cypriot cultural displacement which she activates through archives; expressing colonisation, war, lost histories and identities. For this work, she will digitise photographs, home videos, letters and literature addressing Cyprus and its complex colonial history.

© Shiyi Li, 2020

Shiyi Lis work encompasses collaborative performances including contemporary jazz music, multi-screen animation projections, digital media and a live art performance. The work tells the story of a Chinese woman having recently migrated to a Western country, exploring the awakenings brought to her through her experience of entering a new space and location.

© Navi Kaur, 2020.

Navi Kaur focuses on the migrant experience, specifically around journeys, environment, storytelling and documentary. She explores the lives of her paternal grandparents encompassing their Sikh faith and daily regimes, working predominantly through the processes of digital photography, film and installation.

© Matías Serra-Delmar, 2020.

Matías Serra-Delmars work takes references from the raw materials found encircling construction sites in fast-growing cities across the world, to create both indoor and outdoor installations.  For this work the artist will create different site-specific installations in and around the Herbert Gallery. The idea behind this is to break up the exhibition space and decentre” the spectator from the usual way that the gallery space is utilised.

Keith Piper will be showing THIRTEEN DEAD 1981, created whilst he was a member of the BLK Art Group, in response to the New Cross Massacre – 1981 in which 13 young black people lost their lives in an apparent act of racist violence . Arrests were not made and there was a marked indifference by the white population, leading to protests from Black communities.

Donald Rodney (now deceased) will be represented by the work, Autoicon, a dynamic internet work and CD-ROM that simulates both the physical presence and elements of the creative personality of the artist Donald Rodney, who died from sickle-cell anaemia, o on loan from the artistsestate. He will also be represented by How the West Was Won on loan from the Tate. How the West was Won from 1982 was painted when Rodney was only 21 and a student at Nottingham Trent University.  It dates to a time when he was part of the BLK Art Group, group producing work that engaged directly with the socio-political issues of the time.

Roshini Kempadoo will be showing work from Virtual Exiles 1999-2000 This work explores the experiences of persons who have left their country of origin and who are now at homein another. Engaging with historical, family and contemporary photographs of Guyana. Kempadoo will also be showing Moove…[s]In solidarity new photographic prints created during the pandemic, addressing both the pandemic and the Black Lives Matter movement and protests.

Hyphen-Labs will be showing the VR piece NeuroSpeculative AfroFeminism using VR to tell stories and centre the experiences of women of colour. Created partly as a response to Black Lives Matter in relation to the killings of Philando Castile and Alton Sterling In the US, the VR work shows Black women as neuroscientists using the domain of the beauty salon as a rebel underground network for a radically new shared system of communication.

Eddie Chamberswork Deconstruction of the National Front, on loan from Tate, will be shown as part of the exhibition. Chambers was a founder member of the BLK Art Group in the early 1980s. Destruction of the National Front is a direct response to the appropriation of a national flag by a racist nationalist ideology. In the work Chambers makes use of the disruptive connotations of collage and montage to undo the association of the nation with fascism.

Sonya Dyer will be showing Hailing Frequencies Open – focussing on ongoing videos with Black women scientists. Hailing Frequencies Open (HFO), her current body of work, intersects the Greek myth of Andromeda, the dubious legacy of HeLa cells and actor Nichelle Nicolspioneering work in diversifying the NASA astronaut pool in the 1970s as the starting point for an exploration of Black female subjectivities within narratives of the future. HFO combines social justice with speculation, fantasy with the political.

Shama Khanna is the creator of Flatness a long-running commissioning and sharing platform. A website that showcases the work of a range of artists, allowing artwork to be seen outside of the gallery space. Shama Khanna will write a critical research piece about the site, looking at the ways in which through deconstruction and disorder it challenges the way audiences predominantly view and experience art within a white cube space.

An exhibition curated by Dr Sylvia Theuri.

A New Art West Midlands and International Curators Forum Curatorial Residency in partnership with and hosted by Herbert Art Gallery & Museum, in association with Coventry Biennial.

 

Supported by

 

We are delighted to announce a brand new exhibition titled ‘Thirteen Ways of Looking’, running at the Herbert Art Gallery & Museum, 2 October – 13 December. A New Art West Midlands and International Curators Forum Curatorial Residency in partnership with and hosted by Herbert Art Gallery & Museum, in association with Coventry Biennial. Curated by Dr Sylvia Theuri.

Installation view (detail), Andreana Fatta, Ξεριζωμένη Γενιά / An Uprooted Generation, Copper pipes, Greek orthodox candle wax, archived objects and publication at St. Mary's Guildhall, Coventry, Exhibition as part of New Art West Midlands x Coventry Biennial 2019. Photograph by Marcin Sz.

We are delighted to announce that the New Art West Midlands x Coventry Biennial artists selected for the Engine Room professional development programme and the forthcoming autumn 2020 exhibition at the Herbert Art Gallery & Museum are: Hira Butt, Andreana Fatta, Navi Kaur, Shiyi Li, Farwa Moledina and Matías Serra Delmar.

 

Installation view (detail), Andreana Fatta, Ξεριζωμένη Γενιά / An Uprooted Generation, Copper pipes, Greek orthodox candle wax, archived objects and publication at St. Mary’s Guildhall, Coventry, Exhibition as part of New Art West Midlands x Coventry Biennial 2019. Photograph by Marcin Sz.

 

The artists have been selected from this year’s cohort of exhibiting artists by Sylvia Theuri, Curator in Residence with New Art West Midlands and International Curators Forum. The themes central to the forthcoming exhibition, curated by Sylvia, emphasise notions of ‘decentering’ – that is, removing from the ‘centre’ a focus on subject matter and art historical narratives that prioritise Western and male perspectives, as well as challenging the traditional presentation of artwork in gallery spaces.

The premise of the exhibition will be for the Herbert Art Gallery to be interrupted, appropriated and transformed (as Edward Soja notes in his 1996 text Thirdspace) by the artworks, subject matter and forms that the artists explore.

The artists have been selected because they decentre a predominant white male European focus that has been historically central to art exhibitions, through a centering of the narratives of minoritised voices, perspectives and experiences, and/or because they decentre – through deconstruction and disorder – the ways in which audiences predominantly view artwork within a white cube space.

Sylvia and the teams at New Art West Midlands, the Herbert Art Gallery and Museum and International Curators Forum look forward to working with the selected artists to profile and showcase this exciting art developing in the region.

 

 

 

We are delighted to announce the 6 New Art West Midlands x Coventry Biennial artists selected for the Engine Room professional development programme and the forthcoming autumn 2020 exhibition at the Herbert Art Gallery & Museum.

Andreana Fatta, Ξεριζωμένη Γενιά / An Uprooted Generation, Copper pipes, Greek orthodox candle wax, archived objects and publication

Andreana Fatta’s project archives found objects in a creative manner. It follows the case of her grandmother, a Cypriot woman and a subject of displacement.

Throughout the process of archiving, the legal guidelines of the State Archives in Cyprus, presented in the publication that accompanies Andreana’s sculptural installation, have been followed. The “Historical Section Criteria” is a manifesto for Andreana’s creative practice, allowing her to make a space in which to raise awareness of the importance and functionality of an archive.

It is significant that the National State Archives of Cyprus were founded in 1972, two years before the country was invaded by Turkey. Archiving information that had the potential to be collected in this period of war turned out to be rather challenging. Many documents and other materials including artworks were lost.

Andreana is a graduate from Birmingham City University. Andreana is one of 20 recent graduates from the West Midlands’ six art schools exhibiting as part of the Biennial, selected by ICF International Curators Forum from an open call earlier this year.

Her work can be seen at The Muniment Room in St. Mary’s Guildhall, Coventry, in an exhibition that focuses on air and archive as part of New Art West Midlands x Coventry Biennial

 

In the first of our artist spotlights from New Art West Midlands x Coventry Biennial, we focus on the work of Andeana Fatta.

Farwa Moledina, ‘Interwoven’, 2018, Ways of Belonging, Ort Gallery at Midlands Art Centre

We are excited to announce the New Art West Midlands 2019 artists, selected by International Curators Forum:

Betsy Bradley, Hira Butt, Sarah Byrne, Gemma Costin, Anna Katarzyna Domejko, Andreana Fatta, Matt Gale, Amy Guo, Ewan Johnston, Navi Kaur, Shiyi Li, Mengxia Liu, Farwa Moledina, Tayyibah Mota, Laura Onions, Ameera Sadiq, Matías Serra Delmar, Rosie Piercy, Georgia Tucker and Lily Wales.

Farwa Moledina, ‘Interwoven’, 2018, Ways of Belonging, Ort Gallery at Midlands Art Centre 

  • New Art West Midlands returns for 2019 with a new cohort of 20 artists, recent graduates from the region’s art schools and creative Higher Education courses.
  • In collaboration with Coventry Biennial of Contemporary Art, a new exhibition model introduces artists in arts venues and historic sites across Coventry.
  • Selected by International Curators Forum, a new programme supports creative practice development for the region’s brightest new talent.
  • New Art West Midlands x Coventry Biennial of Contemporary Art runs 4 October – 24 November 2019

This autumn New Art West Midlands returns with a new model, working in collaboration with Coventry Biennial of Contemporary Art to introduce an exciting group of artists across the city.  From traditional arts venues to unexpected spaces and public places, the exhibition aims to reach new audiences and show the value of creativity as Coventry moves closer to its tenure as UK City of Culture in 2021.

Selected by International Curators Forum, the artists are recent graduates from the West Midlands’ art schools and creative Higher Education programmes. The region has a rich offer and heritage when it comes to art education; New Art West Midlands is a partnership with the leading institutions to celebrate the talented individuals emerging from undergraduate, postgraduate and doctoral programmes.

Applications were received from over one hundred artists, representing recent graduates from Birmingham City University, Coventry University, University of Wolverhampton, University of Worcester, Staffordshire University and Hereford College of Arts.

The selection panel included a delegation from International Curators Forum, including Adelaide Bannerman, Cindy Sissokho and Jessica Taylor alongside Ryan Hughes, the founder and director of Coventry Biennial. International Curators Forum’s highly acclaimed Diaspora Pavilion featured as part of the Venice Biennale in 2017, and has informed the direction of New Art West Midlands 2019 as a professional development programme.

In addition to participation in Coventry Biennial, a smaller cohort from these 20 artists will be selected to work with an appointed curator on a yearlong professional development programme. This intensive period will support practice-based skills toward the development of new work for a further curated exhibition at the Herbert Art Gallery (Culture Coventry) in autumn 2020. Speaking about the selection and quality of submissions, Jessica Taylor commented: “International Curators Forum is thrilled to be partnering with New Art West Midlands, Coventry Biennial and Herbert Art Gallery on this important opportunity to support a cohort of recently-graduated emerging artists and a curator from the West Midlands.

“We are excited that the Diaspora Pavilion model has influenced the development of this programme, which champions diversity and the professional development of emerging practitioners in the region. The connections made and exposure gained by the 20 selected artists as a result of their inclusion in this Biennial stands to be of great importance during this moment of transition in their careers, and we look forward to working closely with some of the artists as they continue on in the programme alongside a selected curator in 2020.”

Highlights include new large-scale installations, sculpture, photography, video, paintings, drawings and digital artworks, exploring themes of cultural identity, technologies and the environment among others. Sarah Byrne’s (University of Wolverhampton) work reflects on experiences growing up in England as British girl with an Asian mother. Her projections use imagery from her mother’s old photo albums of childhood trips to the Philippines to question the events and exchanges that have contributed to a separation in her two national identities.

“I am a renegade botanist” declares Gemma Costin (Hereford College of Arts). Her travelling seedpod is a repurposed caravan that used to be called home, now transformed into a space to interrogate ideas of nature and biophilia.

Amy Guo (Staffordshire University) investigates the relationship between human and digital technologies. Works consider the ways in which our social interactions with others are mediated through technology and the visibility of our digital selves.

Farwa Moledina’s (Birmingham City University) series of prints on paper and textile are concerned with re-appropriating and reclaiming Orientalist imagery of Muslim Women. In today’s postcolonial, globalised world, refugees, immigrants and persons of dual culture often find themselves caught between tradition, integration and redefinition of their complex identities.

Through film, photography and mixed media, Tayyibah Mota (Coventry University) considers the Hijab. Her work seeks to display the tradition within and opposition to this Muslim practice, whilst sharing personal experiences of some of the British Muslim women who wear them.

Rosie Piercy (University of Worcester) deals with the very current issue of tuition fees and the cost of education in Britain. Her sculpture ‘Forever in Debt’ consists of helium filled balloons highlighting the exact balance of her student loan as they slowly deflate.

Ryan Hughes, director of Coventry Biennial, commented: “We are really delighted by the work we have selected and are looking forward to bringing it to Coventry to share with audiences. The professional development focus of New Art West Midlands aligns strongly with our vision for a social and critically engaged biennial for the region. The unique and inclusive new model they have built will create deeply meaningful opportunities for these artists in the West Midlands and beyond.”

Now in its seventh year, the New Art West Midlands exhibition programme is established as an important aid in developing the careers of artists. With 200 artists involved since 2013, previous exhibitors have seen their work purchased for the national Arts Council Collection and have gone on to achieve solo exhibitions in respected galleries.

New Art West Midlands 2019

Various venues across Coventry, 4 October – 24 November 2019.

 www.newartwestmidlands.co.uk

 

 

Notes for editors:

The New Art West Midlands 2019 exhibition is supported by Arts Council England, Birmingham City University, Coventry University, University of Worcester, University of Wolverhampton, Hereford College of the Arts and Staffordshire University, developed in partnership with Coventry Biennial of Contemporary Art, Culture Coventry and International Curators’ Forum.

 

Partners New Art West Midlands 2019:

About Coventry Biennial of Contemporary Art:

Coventry Biennial of Contemporary Art brings critically engaged, high quality contemporary visual art to the city and surrounding area. Celebrating and promoting contemporary art and artists, the festival is equally rooted in the city of Coventry, its history and its future. The first Biennial took place 6 – 22 October 2017 in venues across the city, the centre-piece being the sprawling CET Building, now under redevelopment. 2019 is the Biennial’s second iteration, with the third taking place in 2021 as part of Coventry’s UK City of Culture year.

About International Curators Forum: 

International Curators Forum develops and offers professional development opportunities for artists and curators, which include curating exhibitions and events that address diasporic culture in a global context; connecting professionals around the world through organised international networking trips and residencies. Past projects include the 2016-2017 international knowledge-sharing platform ‘Curating the International Diaspora,’ and the 2016-2018 professional development programmes ‘Diaspora Pavilion’ and ‘Beyond the Frame.’

About Culture Coventry:
Culture Coventry
is the trust that manages three of Coventry’s finest visitor attractions: Coventry Transport Museum, home to the world’s largest collection of British road transport, including the two fastest cars in the world; the award-winning Herbert Art Gallery & Museum, which celebrates the city’s culture, history and arts; and the Lunt Roman Fort, a fully excavated and partially reconstructed turf and timber fort, including the only gyrus in the Roman Empire. Between them, the attractions proudly tell stories of Coventry’s unique history to over 800,000 visitors per year from around the world.

  About New Art West Midlands:
New Art West Midlands is the contemporary visual arts network for the region. The network plays a leading role in bringing people together to support, promote and develop the region’s contemporary visual arts sector, both within the region and at a national level. They create defining opportunities for artists and arts professionals to develop their practices through a distinctive, critically-engaged programme, including the New Art West Midlands exhibition for recent graduates, and Engine, a region-wide professional development programme for artists and curators. New Art West Midlands is part of the national Contemporary Visual Arts Network. They are supported by Arts Council England and the lead partners are Birmingham City University and The New Art Gallery Walsall. Further support is provided by their partners Coventry University, Hereford College of Arts, University of Wolverhampton and University of Worcester, as well as Staffordshire University.

We are excited to announce the New Art West Midlands 2019 artists, selected by International Curators Forum:

Betsy Bradley, Hira Butt, Sarah Byrne, Gemma Costin, Anna Katarzyna Domejko, Andreana Fatta, Matt Gale, Amy Guo, Ewan Johnston, Navi Kaur, Shiyi Li, Mengxia Liu, Farwa Moledina, Tayyibah Mota, Laura Onions, Ameera Sadiq, Matías Serra Delmar, Rosie Piercy, Georgia Tucker and Lily Wales.