https://frieze.com/article/countryside-future-art-world

From Cample Line in rural Scotland to collective Myvillages, artists are reconsidering their relationship to ‘the rural’ – Tom Jeffreys via Frieze

https://frieze.com/article/fierce-festival-performance-art-end-world

Sean Burns reviews Fierce Festival 2019 – via Frieze

https://frieze.com/article/art-education-crisis-can-we-stop-culture-becoming-preserve-privileged

 

Cash-strapped schools in deprived areas across the UK have been particularly hard hit by the shift away from the arts. Chris Sharratt reports – via Frieze

https://frieze.com/article/whats-cure-uk-art-worlds-gender-gap

A new report highlights the key role commercial galleries must play in achieving gender parity in the arts. Hettie Judah reports – via Frieze

https://frieze.com/article/women-outnumber-men-art-school-why-do-more-men-make-it-galleries?fbclid=IwAR1sr362alhPI9F5sYWO_MzpwacKfwRVHq8yjZdjVtxE2G1alQC9zCaSFhk

A new report released by the Freelands Foundation has found that while more women (66%) are enrolling in postgraduate study in the creative arts and design this figure is effectively reversed for commercial gallery representation. In 2018, 68% of artists represented by major commercial galleries were men. – report via Frieze news desk

https://frieze.com/article/ruptured-histories-how-hew-locke-peeling-back-layers-britains-colonial-past

A new exhibition at Birmingham’s Ikon Gallery feels at once reminiscent and foreboding. Aurella Yussuf reviews the Ikon Gallery exhibition – via Frieze

https://frieze.com/article/can-return-birminghams-eastside-projects-survive-gentrification-citys-art-scene

Tom Emery considers the re-opening of Eastside Projects in relation to the gentrification of Birmingham – via Frieze

https://frieze.com/article/milk-story-regulation-and-control

Tom Emery profiles artist Melanie Jackson for Frieze magazine. Jackson’s exhibition, Deeper into the Pyramid, is showing at Grand Union until 21 April.

https://frieze.com/article/english-murder-clare-woods-has-poisoners-touch

Hettie Judah reviews Reality Dimmed at Mead Gallery, Warwick Arts Centre, for Frieze.

https://frieze.com/article/sheela-gowda-0

Emilia Terracciano reviews Ikon’s Sheela Gowda solo exhibition in Frieze magazine.