31st May 2019 / 8pm
OTD: £5 / PWYC

This month: Matteo Marangoni whose practice focuses on the potential of listening to establish new connections between people, places and objects, and explores unconventional uses for audio technologies and other media. Berlin based composer Heather Frasch who, through the creation of complex timbres, the usage of unstable notation systems, and electronics explores notions of fragility and stillness within an intermedia sonic arts practice. Brighton based composer Amber Priestley whose practice deals with musicians performing both music and theatre.