Georgia Tucker, Terra Firma, VR installation, 2019

We are excited to announce the New Art West Midlands 2019 artists, selected by International Curators Forum and featured as part of Coventry Biennial:

Betsy Bradley (Birmingham City University)
Hira Butt (Birmingham City University)
Sarah Byrne (University of Wolverhampton)
Gemma Costin (Hereford College of Arts)
Anna Katarzyna Domejko (Birmingham City University)
Andreana Fatta (Birmingham City University)
Matt Gale (Birmingham City University)
Amy Guo (Staffordshire University)
Ewan Johnston (Birmingham City University)
Navi Kaur (Birmingham City University)
Shiyi Li (Birmingham City University)
Mengxia Liu (Birmingham City University)
Farwa Moledina (Birmingham City University)
Tayyibah Mota (Coventry University)
Laura Onions (Birmingham City University)
Rosie Piercy (University of Worcester)
Ameera Sadiq (Birmingham City University)
Matías Serra Delmar (Hereford College of Arts)
Georgia Tucker (Birmingham City University)
Lily Wales (Birmingham City University) 

This Autumn New Art West Midlands returns (from 4 October – 24 November 2019) with a new model, working in collaboration with Coventry Biennial of Contemporary Art to introduce an exciting group of artists across the city.  From traditional arts venues to unexpected spaces and public places, the exhibition aims to reach new audiences and show the value of creativity as Coventry moves closer to its tenure as UK City of Culture in 2021.

Selected by International Curators Forum, the artists are recent graduates from the West Midlands’ art schools and creative Higher Education programmes. The region has a rich offer and heritage when it comes to art education; New Art West Midlands is a partnership with the leading institutions to celebrate the talented individuals emerging from undergraduate, postgraduate and doctoral programmes.

Applications were received from over one hundred artists, representing recent graduates from Birmingham City University, Coventry University, University of Wolverhampton, University of Worcester, Staffordshire University and Hereford College of Arts.

The selection panel included a delegation from International Curators Forum, including Adelaide Bannerman, Cindy Sissokho and Jessica Taylor alongside Ryan Hughes, the founder and director of Coventry Biennial. International Curators Forum’s highly acclaimed Diaspora Pavilion featured as part of the Venice Biennale in 2017, and has informed the direction of New Art West Midlands 2019 as a professional development programme.




Andreana Fatta, Ξεριζωμένη Γενιά / An Uprooted Generation, Copper pipes, Greek orthodox candle wax, archived objects and publication

In addition to participation in Coventry Biennial, a smaller cohort from these 20 artists will be selected to work with an appointed curator on a yearlong professional development programme. This intensive period will support practice-based skills toward the development of new work for a further curated exhibition at the Herbert Art Gallery (Culture Coventry) in autumn 2020. Speaking about the selection and quality of submissions, Jessica Taylor commented: “International Curators Forum is thrilled to be partnering with New Art West Midlands, Coventry Biennial and Herbert Art Gallery on this important opportunity to support a cohort of recently-graduated emerging artists and a curator from the West Midlands.

“We are excited that the Diaspora Pavilion model has influenced the development of this programme, which champions diversity and the professional development of emerging practitioners in the region. The connections made and exposure gained by the 20 selected artists as a result of their inclusion in this Biennial stands to be of great importance during this moment of transition in their careers, and we look forward to working closely with some of the artists as they continue on in the programme alongside a selected curator in 2020.”

Highlights include new large-scale installations, sculpture, photography, video, paintings, drawings and digital artworks, exploring themes of cultural identity, technologies and the environment among others.  Sarah Byrne’s (University of Wolverhampton) work reflects on experiences growing up in England as British girl with an Asian mother. Her projections use imagery from her mother’s old photo albums of childhood trips to the Philippines to question the events and exchanges that have contributed to a separation in her two national identities.

“I am a renegade botanist” declares Gemma Costin (Hereford College of Arts). Her travelling seedpod is a repurposed caravan that used to be called home, now transformed into a space to interrogate ideas of nature and biophilia.

Amy Guo (Staffordshire University) investigates the relationship between human and digital technologies. Works consider the ways in which our social interactions with others are mediated through technology and the visibility of our digital selves.

Farwa Moledina’s (Birmingham City University) series of prints on paper and textile are concerned with re-appropriating and reclaiming Orientalist imagery of Muslim Women. In today’s postcolonial, globalised world, refugees, immigrants and persons of dual culture often find themselves caught between tradition, integration and redefinition of their complex identities.

Through film, photography and mixed media, Tayyibah Mota (Coventry University) considers the Hijab. Her work seeks to display the tradition within and opposition to this Muslim practice, whilst sharing personal experiences of some of the British Muslim women who wear them.

Rosie Piercy (University of Worcester) deals with the very current issue of tuition fees and the cost of education in Britain. Her sculpture ‘Forever in Debt’ consists of helium filled balloons highlighting the exact balance of her student loan as they slowly deflate.

Rosie Piercy, Give Him Up, flag pole, fan, 2019


Ryan Hughes, director of Coventry Biennial, commented: “We are really delighted by the work we have selected and are looking forward to bringing it to Coventry to share with audiences. The professional development focus of New Art West Midlands aligns strongly with our vision for a social and critically engaged biennial for the region. The unique and inclusive new model they have built will create deeply meaningful opportunities for these artists in the West Midlands and beyond.”

Now in its seventh year, the New Art West Midlands exhibition programme is established as an important aid in developing the careers of artists. With 200 artists involved since 2013, previous exhibitors have seen their work purchased for the national Arts Council Collection and have gone on to achieve solo exhibitions in respected galleries.

The works are shown across Biennial venues at The Row, Arcadia Gallery, St. Mary’s Guildhall and the Lanchester Gallery until 24 November, with a performance by Shiyi Li and workshop from Gemma Costin contributing to the Biennial’s packed events programme.