We are again offering artists and curators living in the West Midlands region the opportunity to receive a studio visit* from an arts professional. This is an opportunity to discuss your work and to seek valuable feedback and practical advice on either artistic or curatorial practice.

Kurt Hickson, Dead Painting #2 (2016), Dead Painting (2014), Black Triangle (2016), and Night Fume (2017). Exhibition realised as the result of the last round of Engine Studio Visits.

We are delighted to announce that this year’s studio visitors will be:

Irene Aristizábal, Nottingham Contemporary
Irene Aristizábal is Head of Exhibitions at Nottingham Contemporary. In 2010, she was the recipient of the H+F Curatorial Grant and worked as Guest Curator at the FRAC Nord Pas de Calais, Dunkirk. Prior to moving to London, she co-directed the not-for-profit space Bétonsalon in Paris. She has curated exhibitions and projects at the Miro Foundation, Barcelona; La Maison Rouge, Paris; the Museum of Health Sciences, Bogota; Form Content, London and LOOP festival, Barcelona.

Lana Bountakidou, Bosse & Baum
Lana Bountakidou is the co-founder and co-director, with Alexandra Warder, of Bosse & Baum, a contemporary art gallery founded in 2013 based in Peckham, London. The gallery promotes new developments in arts and culture, curating site-specific exhibitions, supporting emergent practitioners of art, with a focus on audience development in contemporary visual arts and culture. The gallery has a strong focus on performative art practices, with an active events programme which accompanies exhibitions, bringing current discourses to the attention of new audiences both in the local community and internationally.

Anne de Charmant, Meadow Arts
Born in Geneva (Switzerland) of Hungarian and Italian parentage, Anne de Charmant is a French citizen who feels European above all. Having trained as journalist, she was an arts correspondent for various French and Swiss media and press. Her particular interest in the contemporary visual arts led her to specialise in that field and when the opportunity arose she turned her hand to curating. Meadow Arts is a non-venue based organisation that collaborates with partners across the region, in order to bring excellent contemporary art to underserved areas; often using unusual venues to produce exhibitions, new commissions and events. Meadow Arts has been supported by the Arts Council from early on and is now in its third round of NPO funding.

Seán Elder, Grand Union
Seán Elder is a curator, researcher and writer based in Birmingham. He works with artists to produce writing, exhibitions and public programmes. Past projects include a Anthology of American Folk Song: a Scottish Première of new work by Steve Reinke at Glasgow Film Theatre, tracing the [public] garden wall, with artists Gordon Douglas and Tako Taal, which took place at Glasgow’s historic Botanic Gardens, and a new piece of writing, Hockney’s California, as part of Active Model, an exhibition for Glasgow Open House Festival. Previous to his role as Associate Curator, Grand Union, he conducted independent projects in proximity with organisations including LUX Scotland, The Glasgow School of Art and The Hunterian Art Gallery, University of Glasgow. He has written and spoken on research of Queer aesthetics both in his current writing residency with Cooper Gallery Dundee, as well as CCA Glasgow as part of their Talk See Photography lecture series.

Ryan Hughes, Coventry Biennial of Contemporary Art / Office for Art, Design and Technology
Ryan Hughes is director of Coventry Biennial of Contemporary Art. He has worked extensively in artist-led spaces both nationally and internationally as well as with institutions including museums, universities and local authorities. Additionally, he has made projects in ‘unusual’ locations including churches, mountains, online and in print. He has worked closely with practitioners from various fields including musicians, technologists and writers in addition to many artists and believes that interdisciplinary and collaboration are crucial. He has shown work by Lev Manovich, Radical Software Group, Ryder Ripps, Assemble and Andy Holden whilst also conceiving and delivering professional development programmes for emerging artists including students and recent graduates.

Milika Muritu, Cell Project Space
Milika Muritu is co-founder and Director of exhibitions at Cell Project Space. Recent projects include; ‘Free Traveller’, Yuri Pattison acquired by ZKM Museum, Karlsruhe (2017) ‘Submission/ Critical Mass: Pure Immanence’, Anne De Vries, selected for Berlin Biennial (2016) and ‘Greenhouses’, Aude Pariset, exhibited at ‘ARS 17’, Kiasma, Helsinki (2017). As an RCA Sculpture postgraduate, Muritu continued her Fine Art practice until 2007 exhibiting at 6th Sharjah International Biennial (2004). Appointed by ‘Commissions East’ she produced a public artwork and adjunct publication for ART U NEED (2007). Now working solely as curator she has collaborated in public programmes at Serpentine Gallery, London (2005) Tate Britain (2008), Hayward Gallery (2008), Turner Contemporary (2009) and is visiting lecturer at Camberwell College of Art, Central St Martins School of Art, RCA, and Royal Academy Schools.

If you would like to apply for a studio visit, please send a short application to info@newartwestmidlands.co.uk for the attention of Anneka French.

You should send a maximum of three images of relevant work, your CV and a summary of no more than 300 words outlining who you would like to meet and why, and how you feel it would help to support and develop your practice. Please send as a single PDF document.

Applications will be shortlisted by a panel including Deborah Robinson, Head of Exhibitions, The New Art Gallery Walsall, Anneka French, Project Coordinator, New Art West Midlands and Zoe Lippett, Exhibitions and Artists’ Projects Curator, The New Art Gallery Walsall.

The deadline for applications is 12noon, Friday 3 November 2017.
*We recognise that not all artists or curators have or require studios. The visits can take place at a mutually convenient date and time and an appropriate venue.


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