Clare Woods at Mead Gallery reviewed in Frieze
Hettie Judah reviews Reality Dimmed at Mead Gallery, Warwick Arts Centre, for Frieze.
Can the Return of Birmingham’s Eastside Projects Survive the Gentrification of the City’s Art Scene?
Tom Emery considers the re-opening of Eastside Projects in relation to the gentrification of Birmingham – via Frieze
Ikon’s Sheela Gowda exhibition reviewed in Frieze
Emilia Terracciano reviews Ikon’s Sheela Gowda solo exhibition in Frieze magazine.