No Particular Order, 2020. Matías Serra Delmar. Mixed media on 11mm OSB board, timber supports, sand bags. Dimensions variable. Image courtesy: Amber Sparrey.

New Art West Midlands x Coventry Biennial alumnus Matías Serra Delmar is currently exhibiting his work No Particular Order in the windows of University of Worcester’s Art House building. It is a University of Worcester exhibition, presented by New Art West Midlands in association with curator Sylvia Theuri, currently New Art West Midlands and International Curators Forum Curator in Residence.

The Art House is University of Worcester’s flexible creative hub in the city centre. Hosting fine art and illustration courses, it provides an open studio, workshop and exhibition space. Located on Castle Street, it was originally built in 1939 as a car showroom for Lord Austin of Austin Motors. It underwent major redevelopment in 2018 to become an additional campus for the University of Worcester. The large showroom windows at the front of the building host exhibitions of work, engaging a wider public and providing a cultural offer to the city.

No Particular Order, 2020. (detail) Matías Serra Delmar. Image courtesy: Amber Sparrey.

First shown in 2019, No Particular Order makes use of the raw materials found encircling construction sites in fast-growing cities across the world. As a Spanish artist raised in Argentina and now based in the UK, Matías is interested in the universal aesthetic of the hoarding and its common purpose to obstruct the view of a landscape in transition.

This artwork includes a nod to Buenos Aires, the artist’s home for some years, where a consequence of the socio-economic crisis meant that unfinished buildings would often remain hidden for decades, behind hoardings that prevailed as the dominant image of the cityscape. Frequently intended as a surface upon which to project the promising future that lies beyond, for Matías the hoarding tends to become the site for a more honest representation of the place in which it stands; a site that is made local, relevant and responsive by those who inhabit the city.

This exhibition is the third in the current series, following a collaborative drawing commission led by artist curator Cedar Lewisohn and Nathaniel Pitt, and most recently an installation by artist Chris Olton. The show forms part of a programme of exhibitions building profile and support for the space. We feltMatías’ work would sit well in the space, relevant to the ever-developing cityscape and the public realm as a key site of cultural experience.

No Particular Order can be seen in the windows of The Art House building until 26 April 2020.

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