Is the Countryside the Future of the Art World?
From Cample Line in rural Scotland to collective Myvillages, artists are reconsidering their relationship to ‘the rural’ – Tom Jeffreys via Frieze
Ruptured Histories: How Hew Locke is Peeling Back the Layers of Britain’s Colonial Past
A new exhibition at Birmingham’s Ikon Gallery feels at once reminiscent and foreboding. Aurella Yussuf reviews the Ikon Gallery exhibition – via Frieze
Can the Return of Birmingham’s Eastside Projects Survive the Gentrification of the City’s Art Scene?
Tom Emery considers the re-opening of Eastside Projects in relation to the gentrification of Birmingham – via Frieze