The winner of the Arts & Science Sculpture Commission is Juneau Projects’ proposed sculpture Mosswerk. They have been selected from finalists which also included Andrew Gillespie, Intervention Architecture and Hipkiss and Graney.
Medical journal The Lancet, feature Multistory’s recent project Black Country Lungs with Dutch photographer Corinne Noordenbos, which formed part of the Arts and Science Festival at University of Birmingham.
Room7 is a new curatorial collective that has arisen from the MA in Art History and Curating at the University of Birmingham. Its members come from Staffordshire and the Black Country, as well as Leicester, London, Peterborough, Denmark and Latvia.
FLUX, their first exhibition together, opens on 2 June at Centrala and features work by artists from across the region: Mark Houghton, James Lomax, Anna Parker and Zoe Robertson. The exhibition runs until 10 June. The exhibition has been developed in partnership with the University of Birmingham and Grand Union.
We spoke to Room7 to find out more about their aspirations for the project.
Can you tell me about the process of developing the exhibition, both logistically and thematically?
An open call was sent out by Grand Union in the summer of 2016, asking for submissions of art works made in any media that was to be exhibited as part of a new collaboration between Grand Union and the University of Birmingham.
We began developing the exhibition by creating a long-list of submissions that we felt would complement and respond each other, in relation to multidisciplinary practices. Alongside this, the themes of body and its relationship to space and tactility manifested as the key themes of the exhibition. Even though the call out was for West Midlands artists we had submissions from most parts of the UK, making the selection process about logistics as well as artistic practice.
We are proud to say that we supported artists in the production of new work for FLUX.
How did you select the artists and what are the relationships between their different practices?
We went on studio visits that helped us to narrow down our selection and find out more about physical and practical aspects of the artworks, as well as meeting artists to develop relationships. We found fascinating the fact that our short listed artists all worked in different media and professions, which would make for an interesting dialogue within the gallery space. For example, this is the first time Intervention Architecture has been a part of an art exhibition.
You are producing a publication for the exhibition. What are your aspirations for this text?
We worked with Rope Press to develop a handout and poster for the exhibition. The handout offers a short introduction to each artist along with an exhibition statement. In producing written material about the artists it has been important to us to merge the artists’ own conceptions with our interpretations as a curatorial collective. This relationship has created opportunities for learning and an exploration of individual practices, and it is our hope that the handout will reflect this process.
We are currently also working with graphic designer Mollie Wade to produce a catalogue; the catalogue is thought of as an ‘echo’ of the whole project, and will be published shortly after the exhibition closes.
It is thought to be an extension of the visual and written interpretation of the exhibition and the work we have been doing with the artists. A big part of our ethos as a collective is to offer opportunities to young artists and professionals. Mollie has recently graduated from the University of Lincoln, and it is therefore a great pleasure for us to work with her and help her develop her portfolio as well.
Tell me more about the symposium you have planned on the final day of the exhibition.
The idea of hosting a symposium came quite naturally to us. Forming our collective we had to think about how we wanted to define our practice and an important part of that was to make the art available on multiple platforms. Thanks to generous funding from the University of Birmingham we were able to realise this idea.
Hosting a symposium has made us able to invite interesting speakers and of course present a platform for our four artists to express their ideas and thoughts on the project, and thereby the symposium will acts as an extension of the dialogue presented in FLUX. We will aim for an informal atmosphere where everyone can participate in discussions and debates about the contemporary art scene in the West
The symposium is hosted in Centrala on the 10 June and will start at 5pm. The programme includes a workshop and talks by Cheryl Jones, Director at Grand Union, and Craig Ashley, Director of New Art West Midlands. Tickets are sold via Eventbrite.
Aelita Galevska: Liepaja, Latvia
Bethany Williams: Peterborough, UK
Jessica Pollington: London, UK
Katrine Stenum: Aarhus, Denmark
Laura Bishop: Staffordshire, UK
Stephen Kirk: The Black Country, UK
Olivia Myatt: Leicester, UK
Room7 is a new curatorial collective that has arisen from the MA in Art History and Curating at the University of Birmingham. We speak to Room7 to find out more about their aspirations for their first exhibition FLUX.